Did you just finish your first draft or your third? Congratulations! You may have a fantastic idea, but screenwriting is all about the execution of a superb story with memorable characters. In Hollywood, where making an impression counts, the right Hollywood screenplay services can make all the difference. Your talent, along with your attitude and work ethic, is crucial, and it takes all three to stand out in a competitive marketplace. If you're seeking further guidance, consider a screenwriting consultation to enhance your script. Don't forget about the importance of script editing and feedback as you refine your work.
VISIT THE CONTACT FORM TO SCHEDULE CONSULTATION
So, here are the odds... every year approximately 50,000 scripts, treatments, outlines, pitches, loglines, and books are registered with the Writers Guild. However, only a portion of the combined 20,000 members of the WGA East and West consistently earn significant income from Guild-covered writing work. Being a member doesn’t guarantee you’re a working screenwriter, as many members experience long stretches of unemployment between jobs. In 2026, only 26 specs sold in Hollywood, and about 1% of aspirants ever secure a produced credit. To beat these incredible odds, you must write at a professional level. Your only real competition should be with yourself, striving to become a better screenwriter. If you have any doubts about your screenplay, this is the perfect moment to seek out professional consultation to ensure your magnum opus makes its mark in Hollywood.
As I mentioned in my video, I’m a working screenwriter, script consultant, and author with over twenty years of experience and eighteen produced credits in television movies and independent features, which include a spec sale, two pitch sales, twenty-four paid writing assignments, and two TV pilots. I have had the privilege of collaborating with Academy Award® winning producers, veteran directors, and Academy Award®, Emmy®, and Golden Globe® nominated actors. Many of these Hollywood veterans are not just colleagues but have also become friends and mentors. In the spirit of giving back, I offer affordable Hollywood screenplay services for my professional analysis of your feature screenplay or TV pilot, aimed at elevating your work to the next level.
What I don’t guarantee are promises regarding what studios are buying today (as nobody truly knows). My screenwriting consultation services have been featured in Script Magazine (my blog was Website pick of the Week). Additionally, I have spoken at the London Screenwriters' Festival and contributed to various websites such as The Script Lab, ScreenCrafting, The London Screenwriters' Festival blog, Movie Outline, Screenwriters Utopia, and The Buzz on Virtual Pitch Fest. I was interviewed by FILM COURAGE for their YouTube series that includes forty-two videos on screenwriting and named by Screencraft as one of the "Top 25 Screenwriters to Follow on Twitter." I also authored a popular screenwriting book, "A Screenwriter's Journey to Success," which is available on Amazon and boasts fifty-six five-star reviews.
If your feature script, TV pilot, outline, or short script requires assistance, my real-world experience and insights can provide the script editing and feedback necessary to elevate your project. It’s not A.I. dissecting your work; it’s just me, giving you my complete attention to every detail. Your screenwriting career is not a Dali-esque illusion but a result of hard work, talent, focus, sacrifice, patience, timing, and luck—when a prepared screenwriter meets an opportunity and delivers the goods.
PRICING FOR MY CONSULTATION PACKAGES:
(.fdx or PDF for all packages. A two-week turnaround time).
THE PREMIUM FEATURE SCREENPLAY PACKAGE: $295 (Screenplays over 110 pages—$2.00 extra per page)
The package includes:
- In-depth analysis of the story, structure, concept, characters, dialogue, format, and style.
- Detailed notes (5-10 pages) with page-specific references and comprehensive suggestions on revisions to address trouble spots throughout the screenplay.
- One screenplay edit focusing on details of standard formatting and proofreading for spelling, typos, grammar, and format.
- E-mail me your script in Final Draft or a PDF format. The script cannot be in WORD or as a text document and must closely adhere to Hollywood standard formatting (this is not a script formatting course!).
- Follow-up e-mail correspondence for one week to address any questions regarding my notes.
Same screenplay re-read: $150
PROOFREADING & FORMAT CHECK ONLY FOR FEATURE SCRIPT $225 (.fdx copy only. Page limits apply. $2 per page over 110 pages)
THE TV PILOT PACKAGE:
It offers the same consultation services as the screenplay package, tailored for TV pilots. Page limits apply and $2 per page over 65 pages.
Hour pilot (max 65 pages) $195
Re-read: $125
Half-hour pilot (max 45 pages): $175
Re-read: $85
PROOFREADING & FORMAT CHECK ONLY FOR TV PILOT (.fdx copy only. Page limits as above)
Hour pilot: $125
Half-hour pilot: $85
THE FEATURE FILM & TV PILOT OUTLINE/TREATMENT PACKAGE:
In-depth analysis of story, structure, characters, and concept. (20 pages maximum. If shorter or longer, we can discuss a suitable price).
Up to 10 pages: $125
10 - 20 pages: $195
SHORT FILM SCREENPLAY PACKAGE: $65
Script length up to 20 pages. Same notes as feature package but tailored for short scripts.
VIDEO CALL - CAREER CONSULTATION: $50 per hour (one hour minimum).
PRIVATE ONE-ON-ONE SINGLE DAY INTENSIVE SCREENWRITING MENTORING SESSION:
Available in person in Los Angeles only or on Teams/Google Meet.
- Consulting on your overall career plans with advice and disciplines.
- One screenplay consultation with notes and suggestions about changes.
- A copy of my book "A Screenwriter's Journey to Success".
$475 for one-day consultation notes with a 3-hour in-person or on Teams/Google Meet. Additional hours at $50 per hour. Contact me to create a package suited to your specific needs.
MENTORING PACKAGE:
$550 (feature script)
$495 (TV pilot script hour)
$395 (TV pilot half hour)
Includes a full consult with notes and ONE more read of the script after revisions. (two full reads total)
TWO one-hour Teams/Google Meet video chats. One call per week for two weeks or one two-hour session about the notes on your draft. We can create a schedule that works for both of us and add more chats for $50 extra an hour.
ONE SCRIPT - TWO READS PACKAGE:
The feature or TV pilot package (same length rules apply) includes notes on two drafts of one script.
Feature script - $425
TV pilot Hour - $300
TV pilot Half hour - $255
All payments for consultation services or mentoring sessions are made upfront to PayPal. You don’t need a PayPal account to send money from your debit or credit card. After we schedule your consultation, I will send you an invoice from PayPal to pay beforehand.
DO NOT SEND YOUR SCRIPT BEFORE SCHEDULING YOUR CONSULTATION, AGREEING TO THE SUBMISSION AGREEMENT TERMS, AND PAYING THE INVOICE.
*** NO REFUNDS ON CONSULTATION OR MENTORING SERVICES.
*** DO NOT SEND UNSOLICITED MATERIAL TO ME.
*** Before you submit your project, please read the Terms and Conditions Screenplay Submission Agreement in the next section.
*** Note: I have no interest in developing your project. The submission of your screenplay, pilot, treatment/outline, short screenplay, or mentor services is strictly for paid consultation purposes only, and the notes or suggestions you receive are yours to keep and develop if you wish.
Use the CONTACT FORM on the home page for any questions and to schedule your consultation. I look forward to helping you with your screenplay.
***If you wish, please review the CLIENT TESTIMONIALS.
So, here are the odds... every year approximately 50,000 scripts, treatments, outlines, pitches, loglines, and books are registered with the Writers Guild. However, only a portion of the combined 20,000 members of the WGA East and West consistently earn significant income from Guild-covered writing work. Being a member doesn’t guarantee you’re a working screenwriter, as many members experience long stretches of unemployment between jobs. In 2026, only 26 specs sold in Hollywood, and about 1% of aspirants ever secure a produced credit. To beat these incredible odds, you must write at a professional level. Your only real competition should be with yourself, striving to become a better screenwriter. If you have any doubts about your screenplay, this is the perfect moment to seek out professional consultation to ensure your magnum opus makes its mark in Hollywood.
As I mentioned in my video, I’m a working screenwriter, script consultant, and author with over twenty years of experience and eighteen produced credits in television movies and independent features, which include a spec sale, two pitch sales, twenty-four paid writing assignments, and two TV pilots. I have had the privilege of collaborating with Academy Award® winning producers, veteran directors, and Academy Award®, Emmy®, and Golden Globe® nominated actors. Many of these Hollywood veterans are not just colleagues but have also become friends and mentors. In the spirit of giving back, I offer affordable Hollywood screenplay services for my professional analysis of your feature screenplay or TV pilot, aimed at elevating your work to the next level.
What I don’t guarantee are promises regarding what studios are buying today (as nobody truly knows). My screenwriting consultation services have been featured in Script Magazine (my blog was Website pick of the Week). Additionally, I have spoken at the London Screenwriters' Festival and contributed to various websites such as The Script Lab, ScreenCrafting, The London Screenwriters' Festival blog, Movie Outline, Screenwriters Utopia, and The Buzz on Virtual Pitch Fest. I was interviewed by FILM COURAGE for their YouTube series that includes forty-two videos on screenwriting and named by Screencraft as one of the "Top 25 Screenwriters to Follow on Twitter." I also authored a popular screenwriting book, "A Screenwriter's Journey to Success," which is available on Amazon and boasts fifty-six five-star reviews.
If your feature script, TV pilot, outline, or short script requires assistance, my real-world experience and insights can provide the script editing and feedback necessary to elevate your project. It’s not A.I. dissecting your work; it’s just me, giving you my complete attention to every detail. Your screenwriting career is not a Dali-esque illusion but a result of hard work, talent, focus, sacrifice, patience, timing, and luck—when a prepared screenwriter meets an opportunity and delivers the goods.
PRICING FOR MY CONSULTATION PACKAGES:
(.fdx or PDF for all packages. A two-week turnaround time).
THE PREMIUM FEATURE SCREENPLAY PACKAGE: $295 (Screenplays over 110 pages—$2.00 extra per page)
The package includes:
- In-depth analysis of the story, structure, concept, characters, dialogue, format, and style.
- Detailed notes (5-10 pages) with page-specific references and comprehensive suggestions on revisions to address trouble spots throughout the screenplay.
- One screenplay edit focusing on details of standard formatting and proofreading for spelling, typos, grammar, and format.
- E-mail me your script in Final Draft or a PDF format. The script cannot be in WORD or as a text document and must closely adhere to Hollywood standard formatting (this is not a script formatting course!).
- Follow-up e-mail correspondence for one week to address any questions regarding my notes.
Same screenplay re-read: $150
PROOFREADING & FORMAT CHECK ONLY FOR FEATURE SCRIPT $225 (.fdx copy only. Page limits apply. $2 per page over 110 pages)
THE TV PILOT PACKAGE:
It offers the same consultation services as the screenplay package, tailored for TV pilots. Page limits apply and $2 per page over 65 pages.
Hour pilot (max 65 pages) $195
Re-read: $125
Half-hour pilot (max 45 pages): $175
Re-read: $85
PROOFREADING & FORMAT CHECK ONLY FOR TV PILOT (.fdx copy only. Page limits as above)
Hour pilot: $125
Half-hour pilot: $85
THE FEATURE FILM & TV PILOT OUTLINE/TREATMENT PACKAGE:
In-depth analysis of story, structure, characters, and concept. (20 pages maximum. If shorter or longer, we can discuss a suitable price).
Up to 10 pages: $125
10 - 20 pages: $195
SHORT FILM SCREENPLAY PACKAGE: $65
Script length up to 20 pages. Same notes as feature package but tailored for short scripts.
VIDEO CALL - CAREER CONSULTATION: $50 per hour (one hour minimum).
PRIVATE ONE-ON-ONE SINGLE DAY INTENSIVE SCREENWRITING MENTORING SESSION:
Available in person in Los Angeles only or on Teams/Google Meet.
- Consulting on your overall career plans with advice and disciplines.
- One screenplay consultation with notes and suggestions about changes.
- A copy of my book "A Screenwriter's Journey to Success".
$475 for one-day consultation notes with a 3-hour in-person or on Teams/Google Meet. Additional hours at $50 per hour. Contact me to create a package suited to your specific needs.
MENTORING PACKAGE:
$550 (feature script)
$495 (TV pilot script hour)
$395 (TV pilot half hour)
Includes a full consult with notes and ONE more read of the script after revisions. (two full reads total)
TWO one-hour Teams/Google Meet video chats. One call per week for two weeks or one two-hour session about the notes on your draft. We can create a schedule that works for both of us and add more chats for $50 extra an hour.
ONE SCRIPT - TWO READS PACKAGE:
The feature or TV pilot package (same length rules apply) includes notes on two drafts of one script.
Feature script - $425
TV pilot Hour - $300
TV pilot Half hour - $255
All payments for consultation services or mentoring sessions are made upfront to PayPal. You don’t need a PayPal account to send money from your debit or credit card. After we schedule your consultation, I will send you an invoice from PayPal to pay beforehand.
DO NOT SEND YOUR SCRIPT BEFORE SCHEDULING YOUR CONSULTATION, AGREEING TO THE SUBMISSION AGREEMENT TERMS, AND PAYING THE INVOICE.
*** NO REFUNDS ON CONSULTATION OR MENTORING SERVICES.
*** DO NOT SEND UNSOLICITED MATERIAL TO ME.
*** Before you submit your project, please read the Terms and Conditions Screenplay Submission Agreement in the next section.
*** Note: I have no interest in developing your project. The submission of your screenplay, pilot, treatment/outline, short screenplay, or mentor services is strictly for paid consultation purposes only, and the notes or suggestions you receive are yours to keep and develop if you wish.
Use the CONTACT FORM on the home page for any questions and to schedule your consultation. I look forward to helping you with your screenplay.
***If you wish, please review the CLIENT TESTIMONIALS.
"What's unique about Mark is that he's a working screenwriter of films that actually got made. So many 'script doctors' have never sold a single script. I trusted the first draft of my first feature to Mark, and I'm glad I did. The notes he provided through his Hollywood screenplay services were thorough and reflect the rigors of working in Hollywood today." - Adam Vincent Wright, screenwriter of "Wise Guys"
"The level of detail, meaty suggestions, coherent and easy-to-understand directions, general writing tips, logline help, and overall professional competency demonstrated by you in my screenwriting consultation exceeded all expectations. It’s obvious you take your craft seriously; the product you delivered validates your accumulated education and years of practical experience. I know I will learn, improve, and grow from your script editing and feedback. A simple note of gratitude hardly does you justice. Thank you for your exhaustive efforts." - Kevin Bernadt, screenwriter of "An Ornament's Tale"
"I first came across Mark being interviewed by Film Courage on YouTube. After visiting his website, I scheduled a consultation and received invaluable notes on my comedy pilot. Do yourself a favor and get his insight through his Hollywood screenplay services on your script before sending it out. I will definitely use his services in the future." --Stephen Morrissey, screenwriter of "These Rock!"
"Mark's 5-star consultation service brings objectivity and clarity to a project with a fresh set of eyes. I recommend Mark’s Hollywood screenplay services and will consult with him on my future projects. His service is worth every penny." --Salvatore Bono, screenwriter of "Rock Tarpeian" and "Callers to Our World"
"Mark Sanderson provided me (a first-time script writer) extensive notes to improve my project during his screenwriting consultation. He taught me many technical lessons to help the script meet industry standards. Mark also offered storyline suggestions that will dramatically improve pivotal moments in my thriller as I complete my rewrite. When you are a rookie, you are not sure where to turn for help, but Mark exceeded my expectations with his script editing and feedback. Your project will be better thanks to Mark’s feedback." -- Mike W. screenwriter of "There is Life"
"I cannot recommend Mark enough. He read my script and knew what I was trying to say more than I did. He was able to pinpoint with such clarity the areas of my script that needed condensing and showed me how to avoid micromanaging actors. Using his notes, I turned my script into a top 10% Nicholl script. Mark is a friend and an ally that wants you to succeed. He is realistic about the tough odds in the Hollywood market but encourages you to write with discipline first and foremost. Mark helped me turn my dream into a more concrete reality. I am so grateful for his guidance, and you will be too." - Rachel Redfern, screenwriter of "She Wore Blue"
"Mark has been an invaluable help in the development and improvement of my script. I've used other coverage services, but no one comes remotely close to providing the helpful, detailed script editing and feedback I received from Mark. I would have paid twice as much for the professional advice he has given me." -- Dan Willis, screenwriter of "Mother of Grace and Mercy"
"This summer, I reached out to Mark and hired him to do an analysis for a TV pilot I had written, and here's what I found: In complete consistency with my impression of him thus far, Mark showed up in the most professional way and over-delivered. I received back not only an analysis of my script but what I call an entire learning package. It seems like Mark really studied the weaknesses of my work and addressed everything to the point with articulate notes that made it clear what I should be doing next. He combed through the script and left no issue unaddressed. His analysis proved once again that he is a master of his craft as well as an incredible teacher. I received script feedback before, but nothing on this level, and I have no doubt I need to look no further - I found the one. Mark Sanderson is what I call a rare bird." -- Kika Stayerman, screenwriter of "The Seaman's Wife"
"Mark was recommended to me by a screenwriter who had used his Hollywood screenplay services for several scripts. Now that I've consulted with Mark, I'm yet another screenwriter who can enthusiastically recommend him! Having never taken a screenwriting class, I knew I was likely making formatting and style mistakes; I just didn't know what they were or how to identify and fix them. Mark filled in the gaps in my knowledge, and his detailed notes gave me a clear roadmap for how to fine-tune my script. He also provided tools and best practices that I know I'll be using in all of my writing going forward. I'm currently submitting my script to contests, and I've already had a glowing review come back noting how "polished and professional" it was. Thanks, Mark!" —Zoe Furlong, screenwriter of "Mika Pepper Monster Hunter"
"Mark's feedback helped me break bad writing habits that I didn’t even know I had. The level of detail provided in his coverage made me understand where the problems were and how to fix them. He pointed out strengths in the script and not just weaknesses, which was a real morale booster. I was also amazed that he read the script more than once, which is above and beyond most coverage services." —Carrie Wachob, screenwriter of "Hunters"
"Mark Sanderson is truly a master of the craft and a brilliant asset for anyone considering script editing and feedback services. I have used other script consultants in the past, but I have found Mark’s experience and knowledge invaluable. I received fully detailed notes and in-depth analysis of where my script fell short and where it excelled. My script is a TV holiday movie, and his experience writing TV movies was very helpful to me. He provided valuable suggestions on how I can improve it, as well as guidance on proper pacing and word count. In addition to the notes, he provided in-depth edits on the script that allowed me to see where I can improve my dialogue and scene descriptions for a better read. I highly recommend Mark for a script consultation!" —Tim Northburg, screenwriter of "A Love For Cranberries."
"After completing a hands-on, 8-week screenwriting workshop, I got Mark to review my comedy feature film screenplay. He was next-level; I couldn’t believe how fast he turned it around and understood my story and characters in-depth. His feedback was on point and he included just as many positive notes as critique, making me feel positive and excited about my work. I would use Mark again and recommend him to anyone, new or experienced." —Vanessa Every-Burns, screenwriter of "Sologamy" from the land down under.
"Mark's immaculate feedback provided a clear, concise guide as to the strengths and weaknesses of our screenplay, highlighting what was and was not working, what there should be more and less of and ultimately inspired the next pass of drafting. His feedback is direct, honest, and impeccable. Highly recommended!" — director/screenwriter Mark J. Blackman, screenwriter of "Teardrop"
"I've used a few script consultant services now, and I can say without hesitation that Mark's was the most valuable. While others were helpful in providing useful feedback on a certain component or area of my script, Mark's notes felt truly comprehensive. I've incorporated his ideas to improve everything from general format/readability to actual comedic elements. I look forward to getting my next script to a point where I'm ready to leverage Mark's insight and guidance once again." —Carey Dunn, screenwriter of "Materminated"
"There are many 'script consultants' out there. Many of them are more concerned about enhancing their careers than about you as a writer. What I look for is one who has the professionalism and experience to see what I can't see in a script—to be my second set of eyes and give me feedback that I can use to enhance my story. Mark Sanderson read my script three times in a matter of days and provided an overview and detailed page notes with very practical and thought-out suggestions to enhance the script. You want someone who will take the time and personal interest to care about your work and you as a writer. No matter how experienced one may be, having that supportive feedback means a lot in this journey. Thank you, Mark!" — Britta Reque-Dragicevic, screenwriter of "Restoration"
"If you are serious about your career as a writer, one of the best resources you'll ever find is Mark Sanderson. Mark doesn't give cookie-cutter, thoughtless advice, but he offers thorough, detailed, and personalized service that is both refreshing and reliable. He is professional, courteous, and genuinely interested in your success. You won't regret the investment. You owe yourself the advantage of having Mark Sanderson on your side." — KV James, screenwriter of "The Wren"
"Mark was not the only consultant who worked on my script. But he was BY FAR the best. Hands down. I did extensive research before I selected the consultants I availed myself of, and the extent to which Mark's work rises above the rest is shocking. So much so that I literally scrapped the analyses and input from the others and went with Mark's feedback exclusively. He broke down my screenplay gently and effectively—and one of the most helpful things he did was not just identify weaknesses but make actual suggestions about how to fix them (e.g., 'TRY this...' or 'HOW ABOUT so and so...'). He also explained why he made a certain recommendation or why he thought something didn't work. It will make future screenplays much tighter from the get-go. He will make your screenplay a thousand times better; he will make you so excited about rewriting/reworking it you will literally run to your computer to implement his feedback; and he will make you a superbly better writer along the way. Another thing: he's a super nice guy. I wholeheartedly endorse his services. Do yourself a favor: USE HIM." —David Bassin, screenwriter of "Through the Sweetness and the Smoke"
"Mark provides an enriched and detailed description on how to grow your screenplay and writing. The criticisms force me to think about all aspects of the story, and the specific suggestions allow me to jump quickly into a rewrite." —Moez Solis, screenwriter of "Angel Tendencies"
"Thanks, Mark for pointing out what worked and didn't work in my script. Your notes were very professional and helpful in what I should do in my rewrites. You opened my eyes, flagged all my bad writing habits, and helped me understand how to become a better writer." —Alexander Verdant, screenwriter of "War Effects"
"I am blown away by your level of professionalism, expertise, and craft. Every insightful suggestion is planned for reuse in my next edit. You provided something of amazing value to me, thank you! " —Kyle Walsh, screenwriter of "Tiger Tiger"
"I hired Mark earlier in the year to help me with a comedy screenplay; his advice was valuable and it's since been requested by three producers and an agent. Later this year, I needed help on structure and plot for a studio spec, and yet again, Mark’s notes were incredible, detailed, and insightful. He helped me see things that I didn't notice because I was so close to the project. When I speak to producers, they tell me one of the biggest mistakes writers make is sending out scripts too early. Don’t be that writer. Get your screenplay read first by hiring Mark Sanderson." —Niraj Kapur, screenwriter of "For Better or For Worse"
"I have hired many script consultants in the past, but Mark has to be one of the finest. His critique of my work and suggestions on how to improve it, without a doubt, have made the final product much more competitive and ready to market to TV producers. In the future, I will not hesitate to call on Mark's services again. Thank you, Mark, for your support and great advice!" —R. Lee Salkind Meliment, screenwriter of "Castleton Divide"
"I have used different script consultants, but I found Mark’s notes to be so thorough, clear, and brutally honest that I was able to go through them point-by-point and came out with a markedly stronger and more marketable screenplay." —Ron Thomson, screenwriter of "Tour de Francine"
"Mark's in-depth and thoughtful read inspired more confidence in pointing out strengths, weaknesses, and suggestions for improvement. His notes were invaluable in making this a stronger and more marketable script." —Cyn Brocar, screenwriter of "Kingfisher"
"Mercy just made the Page quarterfinals, and I wanted to thank you. It would have never made it that far without your editing help. So thank you very much!" —Carrie Wachob, screenwriter of "Mercy"
"Blunt and insightful. Mark is like a hawk and could see the common, often repetitive, mistakes I made that I was oblivious to. His suggestions helped reveal gaps in the story that my mind instantly started to fill. In revision mode, he brings the format up to professional levels with pinpoint accuracy. There's so much advice that you will want to implement as you read through his notes, that you’ll keep returning to them as you go along. There’s no way this won’t take your screenplay to a higher level. Best money I've ever spent so far in the quest to become a screenwriter." —Jordan Serson, screenwriter of "Day Dream"
"I've wanted to have my script read by a consultant, but shopping around in Hollywood online everyone was asking $1500 or more. I found Mark when I Googled him, and he offered proofreading plus consultation. For the price, I did not expect such thorough high-quality feedback, and he didn't pull any punches. The great thing was his grasp of the story and characters, and then knowing (seeing) a proper structuring of the events. I could go on and on about his suggestions and educating me, but to my knowledge, this is the best deal in Hollywood. So, you better take advantage of it while Mark is content to sell it at this price." —James Featherston, screenwriter of "Abattage Angels"
"I've been writing for many years in fiction and non-fiction. But screenwriting is an entirely different planet. When I decided to take a shot at writing a screenplay, I was overwhelmed by all the resources out there. I decided to dive in, buy software, and do my best. And then, when I was done, I found Mark. And that's when I learned what to do and what not to do. Mark's critique was detailed but easy to understand, firm but encouraging, and I can tell he's a perfectionist. And he's making me one too! I can honestly say that my work with Mark was the equivalent of a screenwriting boot camp. I loved every minute of it and I'll be back, for certain." —Aliya S. King, screenwriter of pilot "Platinum"
"Mark was not the only evaluation I sought after finishing my first spec, but after receiving his notes and working with him, he will be my go-to consultant in the future. Other services seemed to put me on the bottom of their list, rushing me out then delivering sub-par recommendations. With Mark's help, I was able to focus on the core of my story and develop it from there. He dives deeper than the surface and seeks out where your screenplay might be flawed. His notes were specific, in-depth, and extremely useful. He unearthed a gem in what had otherwise been a pile of dirt. I can't thank him enough." —Michael Brenckle, screenwriter of "Jackpot"
"Mark's gift lies in the fact that he's not only able to supply you with remarkably on-target insight and suggestions, but he's also able to inspire you to find a deeper and better version of your script. He understands your script, its strengths and weaknesses, and emboldens you to find the hidden genius within your own vision." —Paul Schattel, writer/director "Your Ass Is Grass"
"I was hesitant about getting a screenplay consultation, because you hear a lot of mixed reviews. I'm so glad I did. Mark was the best thing to happen to my script. He gives really comprehensive and detailed advice. He found issues that I didn't even know existed and really helped me get to the essence of my story. I'm pretty certain I couldn't have gotten to that point without him. The dude knows his stuff. I look forward to working with him on my next project." —Rayna White, screenwriter of "It's Who You Know"
"Mark really worked for me. In my case, I got script notes, general notes, the whole nine yards. Easy to say I got my money's worth. If you want a successful screenwriter to take your screenplay seriously, meticulously comb over it, and give you constructive contributions, working with your ideas to help you fill out your vision, Mark Sanderson is your man." —D.R. Bradt, screenwriter of "Born to Kill 2015"
"Mark's notes were right on the money. He sees a movie in a script, no matter how good or bad it is, and brings out the best it can be. I am fortunate my screenplay passed through his surgical mind. Thanks, Mark for making me happy with my words, my screenplay, my baby." —Njedeh Anthony Ebinum, screenwriter of "Mind Crawlers"
"When I came to Mark for help, I had a 136-page Sci-Fi screenplay that a Hollywood agent and director had criticized for being overwritten. With Mark's help, the script was not only pruned to 107 pages, but many subtle formatting and pacing issues were addressed. To receive his extensive and detailed notes for such a reasonable fee was a real blessing, as was the kind and positive tone in which they were given. Two other pluses I should mention about Mark's services are: (1) he is a working Hollywood screenwriter and (2) he takes a real personal interest in one's progress." —Ray Chesin, screenwriter of "Blue Planet"
"I couldn't be more pleased with Mark's critique of my script. He's thorough, smart, knowledgeable, detailed, passionate, experienced, encouraging, talented, and affordable. What else could you possibly want in a script consultant?" —Jeff Thomas, screenwriter of "Cuda"
"After reading through Mark’s notes, it felt like I had participated in an intensive screenwriting workshop. He gave me so much insight into the process and provided helpful suggestions on how to improve my script. I have incorporated many of his ideas and am pleased with the final draft. Thank you, Mark for helping me take "Between Land and Sea" to the next level." —Joanne Guidoccio, screenwriter of "Between Land and Sea"
"Mark has the ability to take an idea and mold it into an amazing story that touches others. With years of creating great work, he has a grand insight into consulting on screenplays that is a true gift. My recent consulting experience with Mark has resulted in personal growth as a screenplay writer and a stronger screenplay than I could have ever imagined. I am proud to say Mark Sanderson is my mentor and an amazing teacher." —Faith Fay, screenwriter of "Game On"
"Your suggestions and notes were insightful and helped me immensely. They were so thorough, and every point made sense. You didn't just outline problems; you suggested solutions, which I admired. After completing these changes, I read through my script again and it reads much, much stronger. There were points you brought up that I hadn't even thought of before or knew much about. Your service was worth every dime, and I will be using you from here on out. THANK YOU once again! I owe you an Oscar speech!" —Justin Bamforth, screenwriter of "The Collectors"
"Mark's analysis exceeded my expectations in every aspect of my screenplay. I needed a pair of new eyes, professional eyes that could help me realize the true story behind my first draft. Now that my "first draft fugue" has cleared, I understand not only what my screenplay has been trying to convey but how to convey it. I am now beginning to sense what a true re-write consists of, but I couldn't be happier with the clarity and precision with which Mark's notes have guided me. Thanks a million!" —Will Stockton, screenwriter of "The Laugh Crafter"
"I wrote a feature comedy, but it turned out to be 274 pages when I finished it. After Mark came in, he taught me about making a script 'lean & mean.' In the end, after his editing, the script came in at 102 pages. The Scriptcat really knows his stuff." —Brad Grunberg, screenwriter of "Final Exam"
"This was my second time reaching out for a professional’s opinion. Mark's review, by far, was the most constructive and insightful. Well worth the money! Having feedback from someone who has already been there and done that is important to those of us who are amateur writers, doing it for the joy of writing and creativity. Of course, we all have the dream of one day bringing the characters to life. Thank you for the detailed advice to improve my sitcom." —Chris Parman, screenwriter of "Tulsa’s Crude"
"Mark gave me great notes. Being a professional screenwriter, he knows the industry standards and provides not only advice that you would get from taking a screenwriting class, but also an experienced industry perspective. A very reasonable, reliable, and helpful guy." —Nick Josephs, screenwriter of "As the Crow Flies"
"For anyone who is looking for a professional writer and script doctor, I would highly recommend Mark. I'd say if you are searching for a professional writer to walk that extra mile with you on your script, look no further! My script is based in India, and he knew my story and the characters as well as I do. He is extremely dedicated and into his work." —Earl Reginhard, screenwriter of "Zia"
"When I came to Mark with my screenplay, I was stuck. I knew that it was too long but wasn't sure where to begin cutting. Mark's advice was exactly on the money. Not only did he steer me in the right direction to get it where it needed to be, but he also provided the feedback that I wasn't getting by having my friends read the script. Thanks!" —Tony Jones, screenwriter of "Chuck My Life"
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